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PUBLICATIONS

The Classical Association produces three high-profile academic journals – Classical QuarterlyClassical Review and Greece & Rome – as well as the UK’s leading pedagogy journal for Classics instructors, the Journal of Classics Teaching.  We also commission titles in the New Surveys in the Classics series and we produce Omnibus – a glossy Classics magazine aimed at A Level and GCSE students, published twice a year and supplied free of charge to schools. Scroll down to browse the contents of these issues.

To keep up to date with forthcoming articles in CA journals, you can register with Cambridge Core to receive content alerts.

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Omnibus 91

Content: The dark side of Augustus’ ‘Imperial image’ – Christopher Burden-Strevens Gladiators in the Roman east – Zahra Newby The simile in Homer – Robert Philp ‘For some, war becomes home’: the pain of...

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Omnibus 90

Content: What did Herodotus think he was doing? – Robin Osborne Fiction in Aristophanes and Lucian – Jenni Glaser Forms transformed into new bodies: Ovid and the many forms of epic – Henry Tang...

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Omnibus 89

Contents: Meat is murder? Food and drink in the Odyssey – John Weeds Cicero and the ‘EnCyropedia’: mathematical optics and Roman builders – Thomas Kelly The greatest king Assyria never had – Robert Rohland...

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Omnibus 88

Contents: Authoritarian elections in imperial Rome – Timothy Smith Diogeiton’s daughter and the silence of Athenian women – Giulia Maltagliati Erotophobia and gender ambiguity in Euripides’ Hippolytus – Sarah Cullinan Herring Helen, the gods,...

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Omnibus 87

Contents: Being Roman: live in the Roman Empire – Mary Beard Identity politics, Greek-style – Emily Clifford A suspicious reading of Aeneas – Dan Jolowicz Strabo’s colossal Geography: writing the world of Rome –...

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Omnibus 86

Contents: Cruel fate and the beginning of the end in Iliad 16 – Hugo Shakeshaft Acting up and owning up in the Roman world – Justine Potts Ancient slavery and the modern museum –...

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Omnibus 85

Contents: ‘No second Troy’: Virgil’s Aeneid and the fall of cities – Bruce Gibson Why are there frogs in Frogs? – Matthew Hosty The emperor in the provinces – what coins can tell us...

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Omnibus 84

Contents: Colonial encounters: reading the Homeric Cyclops with Derek Walcott – Matthew Ward Family matters: dynastic struggles in Tacitus Annals 4 – Panayiotis Christoforou Play it forward: Greece and Rome in digital games –...

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Omnibus 83

Contents: What was it like to consult the oracle at Dodona? – Hugh Bowden, Esther Eidinow, and Richard Cole Aeneas – the empty protagonist – David Butterfield Kissing the doorposts: Virgil’s Aeneid and the...

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Omnibus 82

Contents: #MeToo Medusa – Helen Morales Archaeology, Roman Britain, and the Brigantes – Martin Millett Achilles’ heel: (im)mortality in the Iliad – Thomas Nelson Mary Beard on the imperial image Ancient automata between myth...

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Omnibus 81

Contents: The worst journey in the world – Tim Rood Sam Hood Translation Prize 2020 – Dylan Brookes Octavian’s gifts – Richard Alston The Odyssey and its predecessors – Henry Spelman Performing the epic...

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Omnibus 80

Contents: Imagining Virgil: bibliography, fiction and the Aeneid – Talitha Kearey Odysseus’ western wanderings – Jessica Lightfoot Saving the Roman Empire in Late Antiquity – John Weisweiler Cinadon’s conspiracy and Sparta’s police state – William...

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Omnibus 79

Contents: Ancient views on Homer and humour – Oliver Thomas Sam Hood Translation Prize 2019 Dark Comedy in Frogs – Natalia Tsoumpra Making leaders great again? Xenophon on leadership – Fiona Hobden Cicero, Demosthenes,...

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Omnibus 78

Contents: Death in bloom: Pallas and Camilla in Virgil’s Aeneid 11 – Siobhan Chomse Antinous: a boy made god in the Roman Empire –  R. R. R. Smith Euripides’ Medea and sympathy’s dangerous power...

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Omnibus 77

Contents: All the world’s a… Mapping the Shield of Aeneas –  Maya Feile Tomes The moral landscape of Herodotus’ Histories – Katherine Clarke Celebrating the ‘good life’ in Aristophanes’ Peace  – Naomi Scott Sappho,...

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Omnibus 76

Contents: Viewing Achilles’ shield – Richard Rutherford Classical Athens counts – Serafina Cuomo The meanings of mutiny: Tacitus Annals 1 –  Christopher Whitton Homer and the Near East – Christopher Metcalf A day in...

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Omnibus 75

Contents: Sophocles’ Oedipus the King: a tragedy of compassion – Patrick Finglass ‘Da ya think it’s sexy?’ Horace Odes 2.5 – John Henderson Women in their own words in pre-Roman Italy – Katherine McDonald...

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Omnibus 74

Contents: Homer: the first jazz musician? – Howard Peacock Codebreakers and Groundbreakers: from the breaking of the Enigma Codes to the decipherment of Linear B Telling stories on Etruscan pots  – Tom Rasmussen Sappho...

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Omnibus 73

Contents: Continuity and conflict: classical and contemporary warfare – Jason Crowley Ovid and abortion – Ian Fielding Matthew Nicholls’s Ancient Rome MOOC Classical Greek art – a matter of content as well as style? ...

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Omnibus 72

Contents: Shakespeare and the Classics – Judith Mossman Greek sanctuaries and Russian dolls: walls and religious experience – Michael Scott Liking it long: Catullus’ Carmina maiora – Ingo Gildenhard The ‘textile scene’ in Aeschylus’...

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Omnibus 71

Contents: Theodicy in the Odyssey … and the Iliad – Adrian Kelly Pompey’s your man! Cicero’s De Imperio Gnaei Pompei – Henriette van der Blom Clothing in late antiquity – Faith Pennick Morgan Sam...

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Omnibus 70

Contents: Odysseus as bard in the Odyssey – Sam Gartland A child is born: the enduring mystery of Virgil’s fourth Eclogue – Luke Houghton Herodotus and the Persian Wars: memory, recrimination, and the writing...

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Omnibus 69

Contents: Dido and Aeneas in Roman Britain – Kathryn Thompson and Zahra Newby Visit the Museum of Somerset Gladstone Memorial Essay Prize 2015 Long-range perspectives in the Iliad – Helen van Noorden How Greek...

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